{"id":14752,"date":"2020-11-03T11:36:57","date_gmt":"2020-11-03T10:36:57","guid":{"rendered":"http:\/\/nuovosito.museoomero.it\/?page_id=14752"},"modified":"2021-04-07T09:36:22","modified_gmt":"2021-04-07T07:36:22","slug":"second-part-touch-and-art-by-giancarlo-galeazzi","status":"publish","type":"page","link":"https:\/\/museoomero.it\/en\/media\/aisthesis-discover-art-through-all-the-senses\/aisthesis-number-12-june-2020\/second-part-touch-and-art-by-giancarlo-galeazzi\/","title":{"rendered":"Second part – Touch and Art. By Giancarlo Galeazzi"},"content":{"rendered":"\n

Giancarlo Galeazzi, Professor Emeritus of Philosophy at the Istituto teologico marchigiano of the Pontifical Lateran University<\/strong><\/p>\n\n\n\n

A work of art can be viewed from at least two standpoints: that of the artist who produces it and the individual who enjoys it. Both roles may involve all five organs of sense: in the creativity of the artist (which favours one sense rather than another according to the specific conditions) and in the perceptions of the onlookers. As regards the visual arts<\/strong>, it used to seem that one organ of sense \u2013 touch \u2013 could not be brought into play by the visually impaired in their appreciation of the artwork; but today that is no longer the case because the \u201clook but don\u2019t touch\u201d rule has been challenged, greatly to the credit of those who have  shown that touch, too, provides means of drawing close to works of art.<\/p>\n\n\n\n

This approach has offered the blind and partially sighted a \u201ctactile encounter\u201d with the artwork, enabling them to touch the original or a reproduction or a copy to scale. It is an opportunity which turned out to be of even greater significance when it was shown that exploring artworks through touch is also a rewarding experience  for the normally sighted, allowing them to approach the work in a different way and enriching their merely visual appreciation. So, placing art \u201cat our fingertips\u201d allows us to \u201cdiscover the values of tactility\u201d and to formulate \u201can aesthetic of tactility\u201d, to draw on the language of Aldo Frassini, used in the titles of various publications by the Museo Tattile Statale \u201cOmero\u201d. It is a way of insisting that, in the enjoyment of art, \u201ctactility\u201d offers opportunities to everyone \u2013 sighted and non-sighted alike \u2013 and has implications not just at an aesthetic level but at one that can properly be called existential.<\/p>\n","protected":false},"excerpt":{"rendered":"

Giancarlo Galeazzi, Professor Emeritus of Philosophy at the Istituto teologico marchigiano of the Pontifical Lateran University A work of art can be viewed from at least two standpoints: that of the artist who produces it and the individual who enjoys it. Both roles may involve all five organs of sense: in the creativity of the […] Continua a leggere: Second part – Touch and Art. By Giancarlo Galeazzi<\/a><\/span><\/p>\n","protected":false},"author":6,"featured_media":0,"parent":16166,"menu_order":162,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-14752","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nSecond part - Touch and Art. By Giancarlo Galeazzi - Museo Omero<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/museoomero.it\/en\/media\/aisthesis-discover-art-through-all-the-senses\/aisthesis-number-12-june-2020\/second-part-touch-and-art-by-giancarlo-galeazzi\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Second part - Touch and Art. By Giancarlo Galeazzi - Museo Omero\" \/>\n<meta property=\"og:description\" content=\"Giancarlo Galeazzi, Professor Emeritus of Philosophy at the Istituto teologico marchigiano of the Pontifical Lateran University A work of art can be viewed from at least two standpoints: that of the artist who produces it and the individual who enjoys it. Both roles may involve all five organs of sense: in the creativity of the [...] Continua a leggere: Second part – Touch and Art. By Giancarlo Galeazzi\" \/>\n<meta property=\"og:url\" content=\"https:\/\/museoomero.it\/en\/media\/aisthesis-discover-art-through-all-the-senses\/aisthesis-number-12-june-2020\/second-part-touch-and-art-by-giancarlo-galeazzi\/\" \/>\n<meta property=\"og:site_name\" content=\"Museo Omero\" \/>\n<meta property=\"article:modified_time\" content=\"2021-04-07T07:36:22+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/museoomero.it\\\/en\\\/media\\\/aisthesis-discover-art-through-all-the-senses\\\/aisthesis-number-12-june-2020\\\/second-part-touch-and-art-by-giancarlo-galeazzi\\\/\",\"url\":\"https:\\\/\\\/museoomero.it\\\/en\\\/media\\\/aisthesis-discover-art-through-all-the-senses\\\/aisthesis-number-12-june-2020\\\/second-part-touch-and-art-by-giancarlo-galeazzi\\\/\",\"name\":\"Second part - Touch and Art. By Giancarlo Galeazzi - Museo Omero\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/museoomero.it\\\/en\\\/#website\"},\"datePublished\":\"2020-11-03T10:36:57+00:00\",\"dateModified\":\"2021-04-07T07:36:22+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/museoomero.it\\\/en\\\/media\\\/aisthesis-discover-art-through-all-the-senses\\\/aisthesis-number-12-june-2020\\\/second-part-touch-and-art-by-giancarlo-galeazzi\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/museoomero.it\\\/en\\\/media\\\/aisthesis-discover-art-through-all-the-senses\\\/aisthesis-number-12-june-2020\\\/second-part-touch-and-art-by-giancarlo-galeazzi\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/museoomero.it\\\/en\\\/media\\\/aisthesis-discover-art-through-all-the-senses\\\/aisthesis-number-12-june-2020\\\/second-part-touch-and-art-by-giancarlo-galeazzi\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Media\",\"item\":\"https:\\\/\\\/museoomero.it\\\/en\\\/media\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Aisthesis magazine\",\"item\":\"https:\\\/\\\/museoomero.it\\\/en\\\/media\\\/aisthesis-discover-art-through-all-the-senses\\\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Aisthesis Number 12 – June 2020\",\"item\":\"https:\\\/\\\/museoomero.it\\\/en\\\/media\\\/aisthesis-discover-art-through-all-the-senses\\\/aisthesis-number-12-june-2020\\\/\"},{\"@type\":\"ListItem\",\"position\":4,\"name\":\"Second part – Touch and Art. By Giancarlo Galeazzi\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/museoomero.it\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/museoomero.it\\\/en\\\/\",\"name\":\"Museo Omero\",\"description\":\"Museo Tattile Statale\",\"publisher\":{\"@id\":\"https:\\\/\\\/museoomero.it\\\/en\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/museoomero.it\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/museoomero.it\\\/en\\\/#organization\",\"name\":\"Museo Omero\",\"url\":\"https:\\\/\\\/museoomero.it\\\/en\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/museoomero.it\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/museoomero.it\\\/wp-content\\\/uploads\\\/2019\\\/12\\\/logo_museoomero_nomibact.png\",\"contentUrl\":\"https:\\\/\\\/museoomero.it\\\/wp-content\\\/uploads\\\/2019\\\/12\\\/logo_museoomero_nomibact.png\",\"width\":400,\"height\":127,\"caption\":\"Museo Omero\"},\"image\":{\"@id\":\"https:\\\/\\\/museoomero.it\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Second part - Touch and Art. By Giancarlo Galeazzi - Museo Omero","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/museoomero.it\/en\/media\/aisthesis-discover-art-through-all-the-senses\/aisthesis-number-12-june-2020\/second-part-touch-and-art-by-giancarlo-galeazzi\/","og_locale":"en_US","og_type":"article","og_title":"Second part - Touch and Art. By Giancarlo Galeazzi - Museo Omero","og_description":"Giancarlo Galeazzi, Professor Emeritus of Philosophy at the Istituto teologico marchigiano of the Pontifical Lateran University A work of art can be viewed from at least two standpoints: that of the artist who produces it and the individual who enjoys it. Both roles may involve all five organs of sense: in the creativity of the [...] Continua a leggere: Second part – Touch and Art. By Giancarlo Galeazzi","og_url":"https:\/\/museoomero.it\/en\/media\/aisthesis-discover-art-through-all-the-senses\/aisthesis-number-12-june-2020\/second-part-touch-and-art-by-giancarlo-galeazzi\/","og_site_name":"Museo Omero","article_modified_time":"2021-04-07T07:36:22+00:00","twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/museoomero.it\/en\/media\/aisthesis-discover-art-through-all-the-senses\/aisthesis-number-12-june-2020\/second-part-touch-and-art-by-giancarlo-galeazzi\/","url":"https:\/\/museoomero.it\/en\/media\/aisthesis-discover-art-through-all-the-senses\/aisthesis-number-12-june-2020\/second-part-touch-and-art-by-giancarlo-galeazzi\/","name":"Second part - Touch and Art. By Giancarlo Galeazzi - Museo Omero","isPartOf":{"@id":"https:\/\/museoomero.it\/en\/#website"},"datePublished":"2020-11-03T10:36:57+00:00","dateModified":"2021-04-07T07:36:22+00:00","breadcrumb":{"@id":"https:\/\/museoomero.it\/en\/media\/aisthesis-discover-art-through-all-the-senses\/aisthesis-number-12-june-2020\/second-part-touch-and-art-by-giancarlo-galeazzi\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/museoomero.it\/en\/media\/aisthesis-discover-art-through-all-the-senses\/aisthesis-number-12-june-2020\/second-part-touch-and-art-by-giancarlo-galeazzi\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/museoomero.it\/en\/media\/aisthesis-discover-art-through-all-the-senses\/aisthesis-number-12-june-2020\/second-part-touch-and-art-by-giancarlo-galeazzi\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Media","item":"https:\/\/museoomero.it\/en\/media\/"},{"@type":"ListItem","position":2,"name":"Aisthesis magazine","item":"https:\/\/museoomero.it\/en\/media\/aisthesis-discover-art-through-all-the-senses\/"},{"@type":"ListItem","position":3,"name":"Aisthesis Number 12 – June 2020","item":"https:\/\/museoomero.it\/en\/media\/aisthesis-discover-art-through-all-the-senses\/aisthesis-number-12-june-2020\/"},{"@type":"ListItem","position":4,"name":"Second part – Touch and Art. By Giancarlo Galeazzi"}]},{"@type":"WebSite","@id":"https:\/\/museoomero.it\/en\/#website","url":"https:\/\/museoomero.it\/en\/","name":"Museo Omero","description":"Museo Tattile Statale","publisher":{"@id":"https:\/\/museoomero.it\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/museoomero.it\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/museoomero.it\/en\/#organization","name":"Museo Omero","url":"https:\/\/museoomero.it\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/museoomero.it\/en\/#\/schema\/logo\/image\/","url":"https:\/\/museoomero.it\/wp-content\/uploads\/2019\/12\/logo_museoomero_nomibact.png","contentUrl":"https:\/\/museoomero.it\/wp-content\/uploads\/2019\/12\/logo_museoomero_nomibact.png","width":400,"height":127,"caption":"Museo Omero"},"image":{"@id":"https:\/\/museoomero.it\/en\/#\/schema\/logo\/image\/"}}]}},"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/museoomero.it\/en\/wp-json\/wp\/v2\/pages\/14752","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museoomero.it\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/museoomero.it\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/museoomero.it\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/museoomero.it\/en\/wp-json\/wp\/v2\/comments?post=14752"}],"version-history":[{"count":1,"href":"https:\/\/museoomero.it\/en\/wp-json\/wp\/v2\/pages\/14752\/revisions"}],"predecessor-version":[{"id":14753,"href":"https:\/\/museoomero.it\/en\/wp-json\/wp\/v2\/pages\/14752\/revisions\/14753"}],"up":[{"embeddable":true,"href":"https:\/\/museoomero.it\/en\/wp-json\/wp\/v2\/pages\/16166"}],"wp:attachment":[{"href":"https:\/\/museoomero.it\/en\/wp-json\/wp\/v2\/media?parent=14752"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}