{"id":14990,"date":"2020-11-05T19:56:21","date_gmt":"2020-11-05T18:56:21","guid":{"rendered":"http:\/\/nuovosito.museoomero.it\/?page_id=14990"},"modified":"2026-03-12T16:35:33","modified_gmt":"2026-03-12T15:35:33","slug":"works-carried-out-by-the-mo","status":"publish","type":"page","link":"https:\/\/museoomero.it\/en\/services\/consultancy-and-typhlo-didactic-services\/works-carried-out-by-the-mo\/","title":{"rendered":"Works carried out by the MO"},"content":{"rendered":"\n<p><strong>2026<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Alfredo Catarsini Foundation:<\/strong>\u00a0Creation of a plastic high-relief from the fresco &#8220;Madonna del Rosario&#8221; by Alfredo Catarsini for the apse of the Church of San Martino in Freddana.<\/li>\n\n\n\n<li><strong>Municipality of Urbino:<\/strong>\u00a0Consultancy, audio text editing, and Braille transcription for tourist signage.<\/li>\n\n\n\n<li><strong>Polytechnic University of Marche (DICEA) &amp; Rome University of Fine Arts:<\/strong>\u00a0Creation of two sculptural high-relief figures and one hybrid figure (3D printing with manual finishing) to support Tiziano\u2019s\u00a0<em>Pala Gozzi<\/em>, preserved at the Civic Art Gallery of Ancona. Additionally, a relief drawing version of the\u00a0<em>Pala Gozzi<\/em>\u00a0on microcapsule paper.<\/li>\n\n\n\n<li><strong>Teatro Carlo Felice, Genoa:<\/strong>\u00a0Creation of relief drawings on microcapsule paper.<\/li>\n<\/ul>\n\n\n\n<p><strong>2025<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Municipality of Cagliari \u2013 Civic Art Gallery:<\/strong>\u00a0Relief drawings, Braille transcription, high-readability print, and artwork text editing.<\/li>\n\n\n\n<li><strong>Twice Out:<\/strong>\u00a0Text editing and graphic layout of accessible panels for the Castle of Gaeta.<\/li>\n\n\n\n<li><strong>ISEEN:<\/strong>\u00a0Tactile maps for the Erasmus Plus Sport project \u2013\u00a0<em>ISEEN: Nature that Includes<\/em>.<\/li>\n\n\n\n<li><strong>Modern Art Gallery of Rome:<\/strong>\u00a0Raised-line drawings and related audio descriptions for exhibitions.<\/li>\n\n\n\n<li><strong>Civic Museums of Treviso:<\/strong>\u00a0Editing of accessible texts, consultancy, and training.<\/li>\n\n\n\n<li><strong>ALI (Accessibility, Languages, Inclusion):<\/strong>\u00a0Raised-line drawings on microcapsule paper for the Macerata Sferisterio, Teatro Luciano Pavarotti (Modena), and Teatro Grande (Brescia).<\/li>\n\n\n\n<li><strong>\u201cUomini delle Navi\u201d Cultural Association:<\/strong>\u00a0Creation of relief drawings of ship details for the exhibition preview &#8220;Boats and Ships \u2013 Shapes, Structures, Materials.&#8221;<\/li>\n\n\n\n<li><strong>University of Padua \u2013 PATRICOM Project:<\/strong>\u00a0Creation of five bound Braille publications regarding Paris Bordon in the Belluno area.<\/li>\n<\/ul>\n\n\n\n<p><strong>2024<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>FAI Heritage \u2013 Orto sul Colle dell\u2019Infinito, Recanati:<\/strong>\u00a0Tactile guide with raised-line drawings, audiopen, and Braille transcriptions.<\/li>\n\n\n\n<li><strong>Maritime Museum of Cesenatico:<\/strong>\u00a0Relief drawings and Braille captions.<\/li>\n\n\n\n<li><strong>Palazzo Pretorio Museum \u2013 Municipality of Prato:<\/strong>\u00a0Relief drawings on microcapsule paper, high-relief sculptures, production of accessible texts and audiopen recordings, and a tactile book.<\/li>\n\n\n\n<li><strong>MuBI \u2013 Municipality of Macerata (Natural History Museum):<\/strong>\u00a0Graphic layout for Braille captions.<\/li>\n\n\n\n<li><strong>Studio Capotondi:<\/strong>\u00a0Consultancy and Braille panel layout for the Municipality of Senigallia.<\/li>\n\n\n\n<li><strong>Municipality of Recanati \u2013 Villa Colloredo Mels Museum:<\/strong>\u00a0Braille captions and training.<\/li>\n\n\n\n<li><strong>Municipality of Recanati \u2013 Gigli Museum and Music Museum:<\/strong>\u00a0Memorandum of understanding for consultancy in designing an accessible museum itinerary, creation of useful tools, support for accessible website content, and staff training.<\/li>\n\n\n\n<li><strong>Municipality of Macerata \u2013 Inclusive Sferisterio Project:<\/strong>\u00a0Consultancy for an inclusive museum itinerary, remote accessibility improvement (website and online info), and staff training.<\/li>\n\n\n\n<li><strong>Palazzo dei Pio Museums \u2013 Municipality of Carpi:<\/strong>\u00a0Training, internal signage, and Braille captions; five relief drawings and two low-reliefs in water-resistant fireproof resin based on &#8220;The Revenge of Procne&#8221; (Mattia Preti) and &#8220;Annunciation&#8221; (Vincenzo Catena).<\/li>\n\n\n\n<li><strong>InclusivOpera Project (ALI):<\/strong>\u00a0Relief drawings on microcapsule paper for various theaters (Macerata, Modena, Brescia, Cremona).<\/li>\n\n\n\n<li><strong>Coopculture:<\/strong>\u00a0Memorandum of understanding for consultancy on accessible itineraries.<\/li>\n\n\n\n<li><strong>Palazzo Merulana (Cerasi Foundation):<\/strong>\u00a0Production of 10 accessible texts, 10 graphic matrices for tactile drawings, and an Easy-to-Read guide.<\/li>\n\n\n\n<li><strong>Giovanni Fattori Civic Museum:<\/strong>\u00a0Three low-relief fireproof resin reproductions of paintings by Giovanni Fattori.<\/li>\n\n\n\n<li><strong>Civic Museums of Treviso:<\/strong>\u00a0Two tactile books (dedicated to Luigi Balio and Arturo Martini) and accessible text editing.<\/li>\n\n\n\n<li><strong>Municipality of Macerata \u2013 &#8220;Terre che leggono&#8221; Project:<\/strong>\u00a0Two tactile books for Palazzo Buonaccorsi and the Marco Moretti Civic Art Gallery.<\/li>\n\n\n\n<li><strong>Focus \u2013 Santarcangelo Culture Foundation:<\/strong>\u00a01:50 scale reproduction of the wooden structure of Jacobello di Bonomo&#8217;s polyptych.<\/li>\n\n\n\n<li><strong>Polytechnic University of Marche (DICEA):<\/strong>\u00a0Braille transcription for the Fortress of Gradara.<\/li>\n<\/ul>\n\n\n\n<p><strong>2023<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Alfredo Catarsini Foundation:<\/strong>\u00a0Scientific consultancy for the &#8220;Catarsini Places&#8221; trail, accessible audio description editing, and sculptural high-relief of the work &#8220;Marina.&#8221;<\/li>\n\n\n\n<li><strong>State Archives of Ancona:<\/strong>\u00a0Scientific consultancy for a tactile path, Braille transcriptions, tactile book production, and tactile translation of the Ancona coat of arms.<\/li>\n\n\n\n<li><strong>Op\u00e9ra Grand Avignon:<\/strong>\u00a0Five relief drawings for\u00a0<em>The Magic Flute<\/em>.<\/li>\n\n\n\n<li><strong>Modern Art Gallery of Rome:<\/strong>\u00a0Braille transcriptions and relief drawings for various futurist exhibitions (Prampolini, Peruzzi, Crocetti).<\/li>\n\n\n\n<li><strong>Atlante Cooperative \u2013 Citt\u00e0 di Castello:<\/strong>\u00a0Supervision of accessibility work for the Burri Collection (Palazzo Albizzini), audio guide participation by Prof. Grassini, and training.<\/li>\n\n\n\n<li><strong>Modena Visual Arts Foundation:<\/strong>\u00a0Training, consultancy, and production of 10 tactile drawings and accessible texts for the exhibition &#8220;Logos. Images Speak.&#8221;<\/li>\n\n\n\n<li><strong>Il Cassero for Sculpture \u2013 Montevarchi:<\/strong>\u00a0Scientific consultancy for a sensory Totem and participation in the &#8220;I would like to go to the museum&#8221; study day.<\/li>\n\n\n\n<li><strong>PlayMarche (UNIMC Spinoff):<\/strong>\u00a0Braille captions for the Rancia Castle.<\/li>\n\n\n\n<li><strong>Fagnani Middle School, Senigallia:<\/strong>\u00a0Braille for the board game &#8220;Traveling with Darwin,&#8221; donated to the Salesi Children&#8217;s Hospital.<\/li>\n\n\n\n<li><strong>InclusivOpera Project (ALI):<\/strong>\u00a0Tactile drawings on microcapsule paper for major opera houses (La Scala, etc.) supporting works like\u00a0<em>Macbeth<\/em>,\u00a0<em>Madama Butterfly<\/em>, and\u00a0<em>Il Trovatore<\/em>.<\/li>\n\n\n\n<li><strong>Verona Minor Hierusalem Foundation:<\/strong>\u00a0Consultancy for a tactile path in the Church of Santa Maria in Organo, tactile drawings, and accessible texts.<\/li>\n\n\n\n<li><strong>Focus \u2013 Santarcangelo Culture Foundation:<\/strong>\u00a0Accessible text editing for MUSAS and MET museums; staff training.<\/li>\n\n\n\n<li><strong>Colle dell\u2019Infinito \u2013 Recanati:<\/strong>\u00a0Scientific consultancy for a multi-sensory path structure.<\/li>\n\n\n\n<li><strong>Arte con noi Association, Bergamo:<\/strong>\u00a0Graphic matrix for five raised-line drawings.<\/li>\n\n\n\n<li><strong>Polytechnic University of Marche (DICEA):<\/strong>\u00a0Braille transcription for the Fortress of Senigallia.<\/li>\n<\/ul>\n\n\n\n<p><strong>2022<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Museum of Knowledge and Sicilian Mirabilia \u2013 University of Catania:<\/strong>\u00a0Creation of the tactile book &#8220;The Adventure of Liotru the Elephant at the Museum of Mirabilia,&#8221; relief drawings of the museum map, and captions in both standard print and Braille.<\/li>\n\n\n\n<li><strong>Royal Palace of Caserta:<\/strong>\u00a0Scientific consultancy for the creation of the architectural model of the Palace.<\/li>\n\n\n\n<li><strong>Museum of the Ara Pacis Augustae:<\/strong>\u00a0Production of six relief drawings and related audio descriptions for the &#8220;Robert Doisneau&#8221; photography exhibition; production of a tactile map of the exhibition space, plus six Braille and audio descriptions for the exhibition &#8220;Lucio Dalla. Even if time passes.&#8221;<\/li>\n\n\n\n<li><strong>Tercas Foundation, Teramo:<\/strong>\u00a0Completion and delivery of an extensive collection of typhlo-didactic materials (relief drawings on microcapsule paper, plastic resin high-relief sculptures) to support the Foundation&#8217;s collection; production of two microcapsule paper tactile plates related to paintings in the collection.<\/li>\n\n\n\n<li><strong>Modern Art Gallery of Rome:<\/strong>\u00a0Production of typhlo-didactic material (raised-line drawings on microcapsule paper, audio texts) for the exhibition &#8220;Pasolini the Painter.&#8221;<\/li>\n\n\n\n<li><strong>University of Catania:<\/strong>\u00a0Production of various typhlo-didactic materials (raised-line drawings on microcapsule paper, illustrated tactile book, Braille captions).<\/li>\n\n\n\n<li><strong>InclusivOpera Project (ALI \u2013 Accessibility, Languages, Inclusion):<\/strong>\u00a0Creation of raised-line drawings on microcapsule paper as accessible support for operas including:\u00a0<em>Tosca<\/em>,\u00a0<em>The Barber of Seville<\/em>,\u00a0<em>Pagliacci<\/em>,\u00a0<em>Norma<\/em>,\u00a0<em>Don Giovanni<\/em>,\u00a0<em>Madama Butterfly<\/em>,\u00a0<em>La Gioconda<\/em>, and\u00a0<em>La Traviata<\/em>.<\/li>\n<\/ul>\n\n\n\n<p><strong>2021<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>E-Archeo, Project, Ales-spa<\/strong>: scientific advisory, supervision on texts and production of relief drawings for the multimedial tactile station \u201cThe grave home of the Etruscan\u201d, in the Mengarelli Room \u2013 Necropolis of the Banditaccia, in Cerveteri.<\/li>\n\n\n\n<li><strong>Opera Education<\/strong>: production of three relief paintings of three scenes of the play Giovanna \u201cD\u2019arco\u201d.<\/li>\n\n\n\n<li><strong>Veneto\u2019s museum center<\/strong>: study, project and realization of relief drawings on microcapsuled paper with furnace technique for: The Oriental Arts Museum (paintings of Hiroshige and Kakemono); Museum of Palazzo Grimani (Foliage Room, series of details of the parietal decorations; Chamber of Apollo, the four scenes of Apollo and Marsia; a general view of the frescos and an enlargement of the central rose window; Chamber of Psyche, series of details of the parietal decorations);<\/li>\n\n\n\n<li><strong>M.A.R.T.<\/strong>: study and project of the translation in plastic high relief from Fortunato Depero\u2019s painting \u201cMovimento d\u2019uccello\u201d (Bird Movement) of 1916. The sculpture was realized in waterproof resin;<\/li>\n\n\n\n<li><strong>Fondazione Tercas in Teramo<\/strong>: production of a series of typhlodidactic supports of a sampling of artworks of its collection. High relief in waterproof and fireproof resin, tactile translations of the painting \u201cCardinal Giulio Acquaviva from Aragon\u201d, C. XVI, of the pharmacy jar made of hand-painted polished majolica representing Feminine faces and vegetal and geometrical themed motifs, c. XVI, of the wide-brimmed plate made with polished majolica representing Cherubs on a goat, by an Anonymous from the Manifattura Castelli, 1970\/\u201999. Relief drawings on microcapsule paper, translation of Guido Montaiuti\u2019s painting called Paesaggio (Scenery), 1973; of the pharmacy jar in polished majolica showing Lucrezia\u2019s suicide, by Orazio from Pompei\u2019s wokshop, c. XVI, of the scene on a tile in polished majolica, Country scene with figures, by Anonymous from Manifattura Castelli, c. XVIII;<\/li>\n\n\n\n<li><strong>ArteConNoi (ArtWithUs)<\/strong>: relief drawings of boards representing the church\u2019s map.<\/li>\n\n\n\n<li><strong>Il Cassero for Sculpture<\/strong>: Consulting and supervision on audio descriptions of sculptures made for the blind and visually impaired. \u00a0<\/li>\n\n\n\n<li><strong>InclusivOpera Project<\/strong>: For Macerata\u2019s Sferisterio, relief drawings of the sketches of Aida\u2019s scenes.<\/li>\n\n\n\n<li><strong>Castel Sant\u2019Angelo, Rome, <\/strong>exhibition <strong><u>Will the world save beauty?<\/u><\/strong>, production of\u00a0 four relief tactile translations on microcapsule paper; creation of eight captions created with Braille hand-made translation on a special support made of \u201ccrystal\u201d transparent adhesive acetate, mechanical Braille transcription\u00a0(Braille printer) of the panels\u2019 texts o single paper sheets.<\/li>\n<\/ul>\n\n\n\n<p><strong>2020<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Historian SAGL<\/strong>: project of translation in plastic high relief from the original xylography from Salvador Dal\u00ec, The Reign of the Penitents of 1964. The sculpture is made of waterproof and fireproof resin.<\/li>\n\n\n\n<li><a href=\"https:\/\/museoomero.it\/en\/exhibitions\/10-october-15-december-raphael-exhibition-of-woven-masterpieces-in-bolzano\/\">Centro Trevi (TREVILAB)in Bolzano, &#8220;RAPHAEL exhibition of woven masterpieces in Bolzano&#8221;<\/a> &#8211; creation of a reduced-scale relief print, Braille didactic aids, a reproduction of the bust of the Lady of Urbino from the Museo Omero&#8217;s collection and a resin bas-relief of a painting by Raphael &#8220;Portrait of a Gentlewoman&#8221;, also known as &#8220;La Muta&#8221;.<\/li>\n\n\n\n<li><strong>InclusivOpera Project <\/strong>&#8211; relief panels for the opera Carmen at the Teatro di Fano and for Don Giovanni at the Macerata Opera Festival.<\/li>\n\n\n\n<li><strong>Associazione Italia Langobardorum<\/strong> <a href=\"https:\/\/museoomero.it\/en\/exhibitions\/touching-the-lombards-with-your-hands-exhibition\/\">Touching the Lombards with your Hands <\/a>project and exhibition -Scientific\/technical supervision regarding the selection of works for the tactile pathway and accessibility for blind and partially-sighted people.<\/li>\n\n\n\n<li><strong>The three graces with a cupid <\/strong>by Canova commissioned by Sig. Fabris for the Museo Bassano.<\/li>\n<\/ul>\n\n\n\n<p><strong>2019<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Macerata Opera Festival, Sferisterio 2019<\/strong> &#8211; relief drawings on microcapsule paper of the stage sets for the operas in the programme (Carmen, Rigoletto and Macbeth) as aids for blind and partially-sighted people.<\/li>\n\n\n\n<li>The Zetema Foundation, <strong>Museo delle Mura, Rome<\/strong> &#8211; supervising the transcription of the mosaics into tactile drawings to increase the accessibility of the museum itinerary<\/li>\n\n\n\n<li><strong>Istituto superiore G.A. Pujati, Sacile,<\/strong> Pordenone &#8211; two relief drawings for a visually impaired pupil (who is helped by her support teacher, Viviana Cervo) as an addition to her educational programme (&#8220;Freedom&#8221; by Delacroix, The &#8220;Raft of the Medusa&#8221; by Gericault)<\/li>\n\n\n\n<li><strong>The Diocesan Museum of Nola,<\/strong> commissioned by the Meridies Association \u2013 the creation of relief drawings of five paintings in their collection, for typhlo-pedagogical purposes<\/li>\n\n\n\n<li><strong>Teatro Regio, Parma<\/strong> \u2013 relief drawings of the theatre, the auditorium and the sets for an opera (in collaboration with the INCLUSIVOPERA project of the Sferisterio, Macerata)<\/li>\n\n\n\n<li><strong>V.A.M.I. \/ Palazzo Borghese, Roma<\/strong> \u2013 relief drawings of the facade and other architectural details, drawing of the exhibition hall and corresponding captions<\/li>\n\n\n\n<li><strong>Egyptian Museum of Cairo, Egypt<\/strong> &#8211; relief drawing of the museum plan and corresponding captions in Braille<\/li>\n<\/ul>\n\n\n\n<p><strong>2018<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Museo Nazionale Romano at the Terme di Diocleziano<\/strong>, Rome &#8211; creation of texts in Braille on paper, using an Everest automatic machine, for blind visitors;<\/li>\n\n\n\n<li><strong>Villa d&#8217;Este, Tivoli<\/strong> &#8211; creation of typhlo-didactic materials to improve the usability of a path in the gardens of the villa<\/li>\n\n\n\n<li><strong>San Pietro in Vincoli<\/strong>, Rome, Soprintendenza Speciale archeologia, belle arti e paesaggio di Roma &#8211; scientific support for the creation of the &#8220;Paths beyond the visible in San Pietro in Vincoli&#8221; visual-tactile exhibition<\/li>\n\n\n\n<li><strong>Macerata Opera Festival<\/strong>, Sferisterio 2018 \u2013 relief drawings on microcapsule paper showing the settings of the operas in the programme &#8211; The Magic Flute, L&#8217;Elisir d&#8217;amore, La Traviata &#8211; as aids for visually disabled people<\/li>\n\n\n\n<li><strong>M.a.r.t. di Rovereto<\/strong>, contact person Ornella Dossi \u2013 the creation of a sculptural high relief as a 3D reinterpretation of a painting by Carlo Carr\u00e0, &#8220;The daughters of Loth&#8221;, in white fireproof resin, as an aid for visitors with visual disabilities<\/li>\n<\/ul>\n\n\n\n<p><strong>2017<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Exhibition on the Rocche Marchigiane, at the <strong>Castle of Frontone <\/strong>(Province of Pesaro-Urbino), organized by Coop onlus Opera &#8211; creation of texts transcribed into Braille to accompany the scale models of the fortresses<\/li>\n\n\n\n<li><strong>Zetema Foundation, Macro Roma<\/strong> &#8211; tactile pathways and labelling for the touchable works in the Museum Room: Braille transcriptions of the descriptions and texts on to paper and the corresponding captions on to acetate<\/li>\n\n\n\n<li><strong>Presentation of the catalogue raisonn\u00e9 on Giorgio Morandi<\/strong> by Marilena Pasquali, at the Conference Room of the Museo Omero &#8211; creation of a panel with a tactile drawing on microcapsule paper as an aid for blind participants<\/li>\n\n\n\n<li><strong>Zetema Foundation, Centrale Montemartini, Rome<\/strong> &#8211; typhlo-didactic notebook with numerous relief drawings (Minolta oven technique) of the Roman mosaic of the Rape of Proserpine<\/li>\n\n\n\n<li><strong>Fondazione Zetema, Museo Carlo Bilotti, Rome<\/strong> &#8211; translation into a relief drawing of Giorgio De Chirico&#8217;s painting &#8220;Cavalli sul mare&#8221; (Minolta oven technique)<\/li>\n\n\n\n<li><strong>Fondazione Zetema, Museo di Roma, Palazzo Braschi, Rome<\/strong> &#8211;<br>transcription of labels for the tactile path into Braille and construction of a scale model of the facade of the Casino del Bufalo on the basis of the only surviving evidence, a 19th century drawing. The 3D model was constructed out of various materials and then coloured<\/li>\n\n\n\n<li><strong>Museo Gallerie d\u2019Italia, Palazzo Zevallos, Napoli, <\/strong>painting by Artemisia Gentileschi &#8211; creation of a panel with a relief tactile drawing on microcapsule paper reproducing the content of the painting for blind visitors<\/li>\n\n\n\n<li><strong>Poiesis, Rose window of the Cathedral of Santa Croce in Lecce <\/strong>as a tactile model to be exhibited in the Cathedral Museum &#8211; creation of a large three-dimensional model, in high relief, reproducing a scale, volumetric version of the Rose window of the Cathedral of Santa Croce in Lecce; it is mainly constructed out of coloured resin and wood<\/li>\n\n\n\n<li><strong>Museo delle Civilt\u00e0, Museo Nazionale dell\u2019Alto Medioevo &#8211;<br>Rome<\/strong>: transcription in Braille of texts from the Collection on to paper (Everest automatic machine) and the corresponding texts on the panels on to transparent acetate<\/li>\n\n\n\n<li><strong>Casina del Lago in Villa Borghese, Rome<\/strong> &#8211; creation of texts in Braille on paper by Everest automatic machine for blind visitors<\/li>\n\n\n\n<li><strong>Turismo in Langa, Alba, Piedmont<\/strong> &#8211; creation of texts transcribed in Braille on to special transparent acetate sheets and adhesive to be used as support for blind visitors<\/li>\n\n\n\n<li><strong>Macerata Opera Festival, Sferisterio 2017 <\/strong>&#8211; creation of panels with relief drawings on microcapsule paper, showing the settings of the programmed operas (Aida, Madama Butterfly and Turandot) as aids for users with visual disabilities<\/li>\n\n\n\n<li>Consultancy on improving access for visually disabled people to various cultural sites &#8211; the<strong> Sovrintendenza Capitolina ai Beni culturali<\/strong>, the Museum of Civilization, the National Museum in Rome, the Soprintendenza archeologica of Lazio and Southern Etruria, the Sanctuary of Ercole vincitore, Tivoli)<\/li>\n\n\n\n<li><strong>Soprintendenza speciale for the Colosseum and the Central Archaeological area of \u200b\u200bRome<\/strong> &#8211; supervision of accessibility for visually disabled people relating to the preparation of a tactile path to be created within the Roman Forum &#8211; Palatine Hill archaeological area<\/li>\n<\/ul>\n\n\n\n<p><strong>2016<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Pinacoteca Civica, Ancona<\/strong> &#8211; production of a life-sized high-relief copy in resin of Caravaggio\u2019s painting \u201cBoy bitten by a green lizard\u201d, following to the guidelines required to obtain an optimal tactile exploration by blind and partially-sighted visitors, as well as a caption in large print and Braille<\/li>\n\n\n\n<li><strong>Museo della Citt\u00e0, Ancona<\/strong>: 5 panels with relief drawings on microcapsule paper, of selected coins (front \/ back, larger than the originals) for the &#8220;Le Monete di Ancona&#8221; exhibition<\/li>\n\n\n\n<li><strong>Macerata Opera Festival<\/strong>, &#8220;Opera with eyes closed&#8221; Sferisterio di Macerata \u2013 the creation of panels with relief drawings on microcapsule paper, showing the plan of the Sferisterio and the settings of the operas in the programme. These panels are specially designed for visitors with visual disabilities to enable them to understand the settings and musical instruments used in the operas<\/li>\n\n\n\n<li><strong>Museo Nazionale Romano at the Terme di Diocleziano<\/strong>, Rome: International Conference on Museology &#8220;Chronos, Kair\u00f2s, Aion&#8221;, The time of museums &#8211; production of typhlo-didactic aids, such as texts in Braille, tactile drawings, tactile maps and a model.<\/li>\n<\/ul>\n\n\n\n<p><strong>2015<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Regione Marche, Progetto &#8220;Il Museo di tutti e per tutti&#8221;<\/strong> &#8211; training course for operators and provision of typhlo-didactic aids: relief drawings, high reliefs in resin, publications in Braille and accessible captions using the n.f.c. (Near Field Communication) system. Various regional cultural organization joined the Project including the Civic Museums of Camerino, Civitanova Marche, Macerata, Montefortino, Pesaro, Fermo and Ascoli Piceno<\/li>\n\n\n\n<li><strong>Urbino, Galleria Nazionale delle Marche<\/strong> &#8211; the creation of three life-size high-relief versions in resin of three paintings: The Madonna of Senigallia, La Muta and The Ideal City; relief panels (drawings) and reproductions on microcapsule paper of the Camino degli angeli (the fireplace in the Hall of Angels), plans of the Museum, a plan of its urban context, the facade of the Ducal Palace; a Braille publication complete with tactile illustrations of the Gallery; captions on exhibition quality Forex in black and Braille, that use the nfc system<\/li>\n\n\n\n<li><strong>Pesaro, Domus di via dell&#8217;Abbondanza<\/strong> \u2013 a large consignment of relief drawings (Minolta oven technique), captions in Braille and a tactile relief map in clay, for the purpose of rendering the entire archaeological area accessible<\/li>\n\n\n\n<li><strong>Sferisterio di Macerata<\/strong> &#8211; the creation of relief drawings of some of the opera sets (Rigoletto and La Boh\u00e8me) and a relief map of the Sferisterio itself in order to make them accessible to blind users<\/li>\n\n\n\n<li><strong>Gabriella Pellitteri<\/strong> (a private commission) &#8211; the translation of a famous painting depicting the profile of Dante Alighieri into a relief drawing and prints of it<\/li>\n\n\n\n<li><strong>Museo del Bal\u00ec<\/strong> \u2013 the creation of relief drawings of the constellations<\/li>\n\n\n\n<li><strong>Fondazione Zetema:<\/strong> the production and printing of plaques in Braille<\/li>\n<\/ul>\n\n\n\n<p><strong>2014<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Museo di Castelfiorentino<\/strong> \u2013 the creation of some relief panels (drawings) in order to make some of their important works accessible<\/li>\n\n\n\n<li><strong>Arteconnoi<\/strong> &#8211; relief prints on microcapsule paper of drawings provided by them<\/li>\n\n\n\n<li><strong>Carmela Monteleone<\/strong> (a private commission) &#8211; the creation of relief panels from a painting by Klimt, &#8220;The Tree of Life&#8221; in two different versions and prints of them on microcapsule paper<\/li>\n<\/ul>\n\n\n\n<p><strong>2013<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>POIESIS \u2013 Association for Social Promotion, Copertino (Lecce) <\/strong>&#8211; relief drawings of maps of the places used for their conference, and prints of them, to facilitate access to the meeting<\/li>\n\n\n\n<li><strong>Opera del Duomo di Orvieto<\/strong> &#8211; the creation of audio-visual material, relief drawings, publications in Braille, etc. &#8211; for improved access to cultural heritage<\/li>\n\n\n\n<li><strong>Galleria Moderna di Milano<\/strong> \u2013 the creation of relief-panel translations of some of their paintings<\/li>\n<\/ul>\n\n\n\n<p><strong>2012 &#8211; 2005<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Palazzo Strozzi \u2013 Florence<\/li>\n\n\n\n<li>&#8220;Selva di Gallignano&#8221; Botanical Garden, Ancona \u2013 Universit\u00e0 Politecnica delle Marche<\/li>\n\n\n\n<li>Comune di Colbordolo<\/li>\n\n\n\n<li>Museo della Citt\u00e0 e del Territorio, Comune di Corato<\/li>\n\n\n\n<li>Pinacoteca, Ascoli Piceno &#8211; Relief translation of three works by Osvaldo Licini<\/li>\n\n\n\n<li>Banco di Sicilia<\/li>\n\n\n\n<li>&#8220;Tocco quindi vedo&#8221;<strong> <\/strong>Centro Internazionale del Libro Parlato, Feltre<\/li>\n\n\n\n<li>Progetto Accessibilit\u00e0 turistica Marca anconetana<\/li>\n\n\n\n<li>Museo dell&#8217;Opera, Pisa Cathedral<\/li>\n\n\n\n<li>ICPL: Museo dell&#8217;Istituto centrale di patologia del libro<\/li>\n\n\n\n<li>&#8220;Arte dentro l&#8217;arte&#8221; project in collaboration with the Faculty of Engineering of the Universit\u00e0 Politecnica delle Marche (DARDUS \u2013 Dipartimento architettura rilievo disegno urbanistica storia) and the Ufficio scolastico Regionale<\/li>\n\n\n\n<li>The <strong>&#8220;Bright Ubuntu&#8221; project<\/strong> in collaboration with the Faculty of Agriculture of the Universit\u00e0 Politecnica delle Marche (DIIGA Dipartimento di Ingegneria Informatica, Gestionale e dell\u2019Automazione)<\/li>\n\n\n\n<li><strong>Confindustria <\/strong>and Regione Marche for the &#8220;Oscar dei sapori 2007&#8221; accessible tourism project<\/li>\n\n\n\n<li><strong>iGuzzini <\/strong>and the Istituto Centrale per il Restauro for the \u201cConoscere la forma: il Satiro danzante di Mazara del Vallo\u201d project<\/li>\n\n\n\n<li><strong>Museo Civico<\/strong>, Ragogna<\/li>\n\n\n\n<li><strong>Museo del Territorio di San Daniele<\/strong>, Friuli<\/li>\n\n\n\n<li><strong>Museo d&#8217;arte e della medaglia<\/strong> della citt\u00e0 di Buja<\/li>\n\n\n\n<li><strong>Musei Piceni <\/strong>(Offida, Ripastransone, Monte Fiore dell\u2019Aso and Monte Rubbiano)<\/li>\n\n\n\n<li><strong>Rocca Roveresca<\/strong>, Senigallia.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>2026 2025 2024 2023 2022 2021 2020 2019 2018 2017 2016 2015 2014 2013 2012 &#8211; 2005<\/p>\n","protected":false},"author":2,"featured_media":28742,"parent":14797,"menu_order":87,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-14990","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Works carried out by the MO - Museo Omero<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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